His father was a drummer in the punk scene of Los Angeles. Grew combining his love of fitness with listening to some of the best albums of their favorite artists: Moot The Hoope, Led Zeppelin and David Bowie. And formed a first group with just 12 years of age who opened for big as Midlake and Conor Oberst. Now that little rebel who surprised by their ability to under has grown - 17 are the years are there now - and finally decided to address the success with "Cut It Out EP" (August 28), the first EP which publishes with Kitten, his last band.
If I'm honest I acknowledge that this petite and had heard him make just under a month. But I refused to talk about it until you get a moment, like today, in which Chloe put an hog the drawing as single 'G', undoubtedly the most catchy and captivating piece of all that has the launch. And what better to ensure a big shot with a video post-apocalyptic epic of love and sex in desert terrain?
"'G' is a great song that needed a great video that secundase" - commented Chaidez Spinner. "The clip is like a mini movie. Something like if somehow mingle two classics as "Apocalypse Now" to "Rebels". About the cast used in the clip, Chloe is very clear, "People tend to ask where we draw the actors, but the reality is that they are all close friends, and couples in real life. That made the recording process was even more fun than it could be. We shot in extreme conditions in the Salton Sea desert experience could have been a mess, but ended up being a great thing. "
The reality is that 'G' is the only single released to date for this EP. 'Cut It Out', released by early summer, was the first. This piece showed the vein formation sensual looking set their music to a pop indie alternative rock with droplets falling into the tendency networks more "mainstream".
Kitten are one of those bands that will be loved and hated in equal measure. There will also be some time to let them to see if in the future, and with a full-length album under his arm, can be sustained, as they are doing so far, in the axis that separates the commercial alternative.
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