That is now coming from New Zealand and Down Under absolutely terrific musical works for quite a while, nothing new. Genre names like "Pacific Soul" was prepared for it palatable. That was an astute music scribe quite accurately! Because most of the stuff that comes from the other side of the globe is always motivated primarily. What genres are thrown together and then brought back into line in a new light is secondary. As has now been proved to have some time - especially the creative monster Fat Freddy's Drop. But in addition to the kings of Welligton there are more and more music from these latitudes, it has earned more than to be discovered.
There would be a certain Julian Dyne. A young producer and musician from the Kiwi-land of a little over two years on the label BBE Music debut "Pins & Digits" and published for friends of leftfield electronica and instrumental hip-hop excursions to marvel needed. His style and no pleasure in discovering new sounds and harmonies between the beats he has not only preserved but expanded upon and deepened. Now his second album, "Glimpse" and there he goes the way a composer of tools such as hip-hop and electronic gadgets for a futuristic soundtrack is available. He slips and of course with the current paths of the Glitchhop and dubstep - without his own style to lose. The whole album is on lengths really so big that you ask with residual lack of understanding why this has to wonder boy will not have long made with Hudson Mohawke Rusko ode to a level of hype! Who are the above-mentioned young sex offenders from the UK and in addition may be the future-oriented radio boards of SA-RA Creative Partners may be accessed here really blind. An album to put into it - and somehow magical.
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